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Events Newsletters
La Marche pénible guidée par l’oiseau flamboyant du désert (The Sorrowful March Guided by the Flamboyant Bird of the desert) April 4, 1968 by Joan Miró.

A Master of Reinvention: What Artists Can Learn from Joan Miró Today

Artwork by Janine Antoni

Woman’s Work: The Epic Two Decades of Janine Antoni

By Ryan Steadman
Installoation view of Laurie Summons: How We See (2015), at The Jewsih Museum. (Courtesy the Jewish Museum)

Living Dolls: Laurie Simmons Offers a Tepid Status Update at the Jewish Museum

By Ryan Steadman
Kianja Strobert, <em>Untitled</em>, 2011 (Photo courtesy: Collection of Sam, Shanit and Alexys Schwartz)

Owning the Abstract: Kianja Strobert Taunts, and Sometimes Tops, Her Ab-Ex Ancestors

By Ryan Steadman
installation view of “Djordje Ozbolt: More paintings about poets and food” at Hauser & Wirth uptown. (Photograph by Genevieve Hanson/ Courtesy the artist and Hauser & Wirth)

Art History’s Savvy Joker: Djordje Ozbolt’s Bone-Dry Visual Zingers at Hauser & Wirth

By Ryan Steadman
Untitled (1930) by Todros Geller. ( Alvia Urdaneta/ Collection of Bernard Friedman.)

Seeing Red: NYU’s Grey Art Gallery Revisits America’s Socialist Moment in Full

By David Ebony
Un orange inférieur by Jesús Rafael Soto, (1984). (CLAIRE DORN/ © Jesús Rafael Soto / Artists Rights Society (ARS), New York / ADAGP, Paris, 2015 Courtesy Galerie Perrotin)

The Missing Link: Galerie Perrotin States the Case for Jesús Rafael Soto

By Ryan Steadman
Max Burchartz, Lotte (Eye). 1928. (Courtesy The Museum of Modern Art)

Timelapse of a Half Century: MoMA Unpacks a Treasure Trove of Surprising Images

By Maika Pollack
Pablo Picasso (Spanish, 1881-1973) Jacqueline aux Fleurs (Jacqueline with Flowers). (©2014 Estate of Picasso / Artists Rights Society (ARS), New York, courtesy Pace Gallery)

The Met and Pace Gallery Spotlight the Women Behind Cézanne and Picasso

By David Ebony
Takashi Murakami, Isle of the Dead, 2014. (Courtesy Takashi Murakami/Kaikai Kiki Co., Ltd. Photography by Robert McKeever. Courtesy Gagosian Gallery.)

Absurd on a Grand Scale: The Lunatic Splendor of Murakami Takes Over Gagosian Gallery

By Ryan Steadman
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