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On View

La Marche pénible guidée par l’oiseau flamboyant du désert (The Sorrowful March Guided by the Flamboyant Bird of the desert) April 4, 1968 by Joan Miró.
Jul 8

A Master of Reinvention: What Artists Can Learn from Joan Miró Today

Proof of Miró’s sponge-worthiness can be found in an exciting new show of his late works, up now at Nahmad Contemporary though July 18.
By Ryan Steadman
Artwork by Janine Antoni
Apr 8

Woman’s Work: The Epic Two Decades of Janine Antoni

In Ms. Antoni’s latest exhibition, “From The Vow Made,” on view at Luhring Augustine’s Chelsea gallery through April 25, the artist creates sculpture in a more traditional sense for the first time—and proves that superior artists can use any method to effectively communicate.
By Ryan Steadman
Installoation view of Laurie Summons: How We See (2015), at The Jewsih Museum. (Courtesy the Jewish Museum)
Mar 18

Living Dolls: Laurie Simmons Offers a Tepid Status Update at the Jewish Museum

Working primarily in photography and film, Laurie Simmons, born in Far Rockaway in 1949, first became known in the mid-1970s for her series of moody black-and-white photographs of dollhouse interiors that dreamily undermine those supposedly archetypal play toys.
By Ryan Steadman
Jul 23

'Living With Pop: A Reproduction of Capitalist Realism' at Artists Space

By Maika Pollack
Jul 16

On View Right Now

By Gallerist
'Untitled (Hag)' (2012) by Vaginal Davis. (Courtesy the artist and Klaus von Nichtssagend)
Jun 25

'Daughter of Bad Girls' at Klaus von Nichtssagend Gallery

By Will Heinrich
Koons's 'Split-Rocker' (2000), installed at the Palais des Papes in Avignon, France. (© Jeff Koons)
May 30

Morning Links: 'Split-Rocker' Edition

By Andrew Russeth
Installation view at Subal. (Courtesy Simone Subal Gallery)
Apr 2

‘Brian O’Doherty: Connecting the…’ at P! and Simone Subal Gallery

By Will Heinrich
Feb 19

‘Natasha Bowdoin: Glyph’ at Monya Rowe Gallery

By Will Heinrich
'Hercules and Antaeus' (cast ca. 1460), attributed to Maso Finiguerra. (Maggie Nimkin Photography, courtesy the Frick)
Feb 19

‘Renaissance and Baroque Bronzes From the Hill Collection’ at the Frick Collection

By Andrew Russeth
'Interior with a Woman Standing' (undated) Hammershøi. (Courtesy the Loeb Collection and Scandinavia House)
Jan 8

‘Danish Paintings From the Golden Age to the Modern Breakthrough: Selections From the Collection of Ambassador John L. Loeb Jr.’ at Scandinavia House

By Andrew Russeth
Nov 26

‘Radical Presence: Black Performance in Contemporary Art’ at the Grey Art Gallery and the Studio Museum in Harlem

By Maika Pollack
Installation view of works by Safdie. (Courtesy Sikkema Jenkins & Co., New York)
Jun 11

‘I Am the Magic Hand’ at Sikkema Jenkins & Co.

By Will Heinrich
'Co-Evolution of the Futurhyth Machine (after Kodwo Eshun)' (2013) and 'Inslile' (2013). (Courtesy the artist and Marian Goodman Gallery, New York and Paris)
May 22

‘Julie Mehretu: Liminal Squared’ at Marian Goodman Gallery

By Andrew Russeth
(Courtesy The Journal Gallery)
Apr 16

‘Eddie Martinez: Matador’ at The Journal Gallery

By Andrew Russeth
(Courtesy Venus Over Manhattan)
Apr 16

‘Gang Bust’ at Venus Over Manhattan

By Andrew Russeth
Apr 16

‘Yael Bartana: And Europe Will Be Stunned’ at Petzel Gallery

By Will Heinrich
Installation view of 'Three of a Feather' (2011) by Celia Rowlson-Hall. (Courtesy the artist and Interstate Projects)
Jan 29

‘Brooklyn/Montreal-Videozones’ at Interstate Projects

By Will Heinrich
Installation view of 'Out of the Blue.' (Courtesy Bortolami)
Dec 4

‘The Perfect Show’ at 303, ‘Out of the Blue’ at Bortolami, ‘Problem Play’ at Leo Koenig, Thornton Dial: ‘Viewpoint of the Foundry Man’ at Andrew Edlin

By Andrew Russeth
Installation view of 'Out of the Blue.' (Courtesy Bortolami)
Dec 4

‘The Perfect Show’ at 303, ‘Out of the Blue’ at Bortolami, ‘Problem Play’ at Leo Koenig, Thornton Dial: ‘Viewpoint of the Foundry Man’ at Andrew Edlin

By Andrew Russeth
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