Opera Reviews
Met’s Dour ‘Requiem’ Proves Levine’s Conducting Is All Show, No Substance
Opera Takes on Women’s Politics and Privilege Up in Hudson and at the Met
Met’s ‘Exterminating Angel’ Should Have Been Snuffed Out Before It Reached the Stage
New York City Opera’s New ‘La Fanciulla del West’ Is a Tearjerker
Lincoln Center’s Small ‘Don Giovanni’ Is Just What Mozart Would Have Wanted
Dell’Arte Opera Ensemble Brings Sexual Confusion to East Village
In Opera, Upstate or in Brooklyn, There Will Be Blood
At On Site Opera, a ‘Guilty Mother’ Is Executed—Badly
New York City Opera Clips the Wings of ‘Angels in America’
Heartbeat Opera Remixes the Classics, With Mixed Results
Splendor, Nostalgia and Camp Salute 50 Years of the Met at Lincoln Center
Roberto Alagna Is the Prince of Panache in the Met’s ‘Cyrano’
Philip Glass and Johann Strauss Agree: The Waltz Is the Thing!
Rousing ‘Dutchman’ at the Met Is Enough to Wake the Undead
A Star Is Boring in ‘Der Rosenkavalier’ at the Met
At NYCO, a Fairy Tale Opera May Lead to a Happy Ending
However Imperfectly, the Met’s ‘Fidelio’ Sings a Hymn to Freedom
New York Opera Fest: The Good, the Bad and the Rubato
Stephen Schwartz’s Sing-Along Séance: The Lauded Lyricist Takes On Opera
