Countertenor Anthony Roth Costanzo On Training, Technique and Radical Operatic Expression
Costanzo’s story shows that sometimes the most radical thing you can do is use your voice.
Opera
Spring Preview: Myth, Ancient History, And Burt Bacharach Inspire Dance and Opera
From dance pieces choreographed to the songs of Sufjan Stevens and Burt Bacharach to operas inspired by climate change and Grecian ruins.
Blanchard’s Champion at the Met Pulls Its Emotional Punches
The singers suffer from James Robinson’s underbaked characterizations and the tonal whiplash of the text, while the opera itself could do more in its investigations of Emile Griffith’s queerness and his feelings after killing a rival.
