At the Outsider Art Fair, Artists at the Margins Become the Market Stars The fair's most compelling booths told stories the mainstream art world has been too slow to tell. By Elisa Carollo
One Fine Show: “The Lost World, The Art of Minnie Evans” at the High In Atlanta, the artist’s hallucinatory compositions challenge the boundaries of so-called folk art with their depth and technical complexity. By Dan Duray
Migration, Marginalization and Outsider Art Collide in Intuit Art Museum’s ‘Catalyst’ By highlighting artists from communities historically excluded from mainstream art institutions, the show challenges assumptions about artistic authority. By Noah Berlatsky
Andrew Edlin Explains How the Outsider Art Fair Helped Establish a Market for the Genre By Elisa Carollo