Critic Walter Robinson on 9/11 Art and Moving Past Schmaltz
While One World Trade Center is as blunt as a cattle prod, some 9/11-influenced work manages to move past mere sentiment.
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Petlin’s Ambiguous Agitprop Pushes Dialogue, Not Dogma
The centerpiece of Irving Petlin’s exhibition of paintings and drawings at Kent Gallery is The Entry of Christ into Washington
Maddening Consistency Hampers Siena’s Intricately Pretty Pictures
Anyone who wouldn’t want a painting by James Siena hanging over the sofa must be nuts. Then again, anyone who’d
