Met’s New ‘Semiramide’ Is a Tacky Tragedy Maurizio Benini's flaccid conducting and John Copley's gaudy low-camp production make the Met's new 'Semiramide' fizzle. By James Jorden
Wagner’s ‘Parsifal’ Returns to Save the World—Maybe Even the Met A new production of 'Parsifal' gives hope that the Metropolitan Opera will indeed survive, with Yannick Nézet-Séguin as its savior. By James Jorden
“I Become a Human When I Consume Art”: A Conversation with Choreographer Felipe Escalante By Caedra Scott-Flaherty