Reviews
Review: Memory Plays Are Huge in Theater Right Now but “The Memory Exam” May Be Easy to Forget
Double Fair Report: The Armory Show and Art on Paper Pack a Punch in 2022
‘Beast’ Is a Waste of Time and Idris Elba
Review: Author Kathleen Hale’s ‘Slenderman’ Skillfully Takes on a Teen Creepy-Pasta Inspired Murder Case
‘Bullet Train’ Might Be the Worst Movie Ever Made
Review: Robert Icke’s ‘Oresteia’ Skillfully Brings Greek Tragedy to Today’s Crises
Review: Acclaimed Francophone Musical ‘Notre Dame de Paris’ Premieres in New York City
‘#MeToo’ Horror Thriller ‘She Will’ Has Its Unconventional Moments
Review: Danai Gurira Carves a Bloody Path Through an Otherwise Lacking ‘Richard III’
Review: ‘Into the Woods’ Still Casts a Sensational Spell on Broadway
Review: ‘Unmask Alice’ Unveils the Religious Grifter Beatrice Sparks Behind the Cult Classic ‘Go Ask Alice’
Review: Polymath Artist Frank Walter’s Paintings Shine at David Zwirner Gallery, Curated by Hilton Als
Review: Alyssa Songsiridej’s Debut Novel ‘Little Rabbit’ Reels You in With Nuance and Kink
This Weekend Is All About Frieze New York and the Rebirth of the Art Fair
Review: ‘Golden Shield’ Is a Courtroom Drama That Aims For Layered Nuance, Lands on Confusing Audiences
Review: The Met Opera’s ‘Hamlet’ Takes Big Swings but Mostly Misses
‘Happening’ Should Be Screened for the Supreme Court
Review: Billy Crystal Deserves Better Than ‘Mr. Saturday Night’
Review: ‘A Strange Loop’ Gracefully Explores Issues of Queer, Black Identity
