Reviews

Apr 14

Review: ‘Cyrano de Bergerac’ Stages the Power of Love and Language at BAM

By David Cote

Apr 14

Exhibitions by Arab Artists in NYC on the Present and Future of Middle Eastern Life

By Farah Abdessamad

Mar 31

‘Deep Water’ Is the Sort of Sexy Thriller We Used to Take for Granted

By Rex Reed

Mar 28

Review: Is It Worth Checking into ‘Plaza Suite’ on Broadway?

By David Cote

Mar 19

‘Measure of Revenge’ is a Baffling Disaster

By Rex Reed

Mar 14

Takesada Matsutani’s “Combine” Explores Process at Hauser & Wirth

By Ilana Novick

Mar 9

Aleksandra Kurzak Left Much to Be Desired in the Met Opera’s ‘Tosca’

By Christopher Corwin

Mar 8

Lise Davidsen Shines in ‘Ariadne auf Naxos’ at the Met Opera

By Christopher Corwin

Mar 4

‘Fresh’ is ‘Fifty Shades of Grey’ with Tabasco Sauce

By Rex Reed

Mar 3

Sadie Barnette’s ‘The New Eagle Creek Saloon’ Commemorates Black Queer Life

By Justin Kamp

Mar 2

The Met Opera Takes on Doomed Love and Inquisition in ‘Don Carlos’

By Harry Rose

Feb 23

Three Exhibitions in New York City of Seven Western African Artists

By Farah Abdessamad

Feb 17

PRISM Quartet’s Brilliant, Uncanny ‘Mending Wall’ Premieres at Roulette

By Annie Levin

Feb 16

‘Uncharted’: Tom Holland Can’t Save This Mediocre Take On a Very Good Video Game Franchise

By Emily Zemler

Feb 15

“Weaving Stories” Explores the Importance of Textiles in Southeast Asia

By Emily Wilson

Feb 11

‘The Music Man’: Hugh Jackman Dazzles in the Perfect Role

By Rex Reed

Feb 7

The Most Honest Book About Homosexuals: Patricia Highsmith’s Diaries and Notebooks

By Grace Byron

Feb 1

John Hockney’s ‘Never Worry What The Neighbours Think’ Is a Tribute to His Family

By Cat Woods

Java Burn Reviews – Real Customer Results or Waste of Money?

By Observer Content Studio

Jan 10

A Cynic’s Fairy Tale: On the Met’s “Surrealism Beyond Borders”

By Grace Byron

Jan 5

The Met’s ‘Rigoletto’ Brought in 2022 Against All Odds

By Christopher Corwin

Reviews

Reviews

Biennale Report: The Venice Biennale Celebrates the Feminine Surreal

Review: Memory Plays Are Huge in Theater Right Now but “The Memory Exam” May Be Easy to Forget

Double Fair Report: The Armory Show and Art on Paper Pack a Punch in 2022

Review: ‘Cyrano de Bergerac’ Stages the Power of Love and Language at BAM

Exhibitions by Arab Artists in NYC on the Present and Future of Middle Eastern Life

‘Deep Water’ Is the Sort of Sexy Thriller We Used to Take for Granted

Review: Is It Worth Checking into ‘Plaza Suite’ on Broadway?

‘Measure of Revenge’ is a Baffling Disaster

Takesada Matsutani’s “Combine” Explores Process at Hauser & Wirth

Aleksandra Kurzak Left Much to Be Desired in the Met Opera’s ‘Tosca’

Lise Davidsen Shines in ‘Ariadne auf Naxos’ at the Met Opera

‘Fresh’ is ‘Fifty Shades of Grey’ with Tabasco Sauce

Sadie Barnette’s ‘The New Eagle Creek Saloon’ Commemorates Black Queer Life

The Met Opera Takes on Doomed Love and Inquisition in ‘Don Carlos’

Three Exhibitions in New York City of Seven Western African Artists

PRISM Quartet’s Brilliant, Uncanny ‘Mending Wall’ Premieres at Roulette

‘Uncharted’: Tom Holland Can’t Save This Mediocre Take On a Very Good Video Game Franchise

“Weaving Stories” Explores the Importance of Textiles in Southeast Asia

‘The Music Man’: Hugh Jackman Dazzles in the Perfect Role

The Most Honest Book About Homosexuals: Patricia Highsmith’s Diaries and Notebooks

John Hockney’s ‘Never Worry What The Neighbours Think’ Is a Tribute to His Family

Java Burn Reviews – Real Customer Results or Waste of Money?

A Cynic’s Fairy Tale: On the Met’s “Surrealism Beyond Borders”

The Met’s ‘Rigoletto’ Brought in 2022 Against All Odds

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