Tracy Letts and Annette Bening’s ‘All My Sons’ Is the Best Show of the Broadway Season
Chrissy Metz’s Unconvincing ‘Breakthrough’ Comes Off More Like a Sermon Than a Movie
Gugu Mbatha-Raw’s Futuristic ‘Fast Color’ Is One Hour and Forty Minutes of Gibberish
Adam Driver’s Alpha-Male Histrionics Nearly Extinguish the Passion in ‘Burn This’
Ethan Hawke’s Heist Comedy ‘Stockholm’ Is a Disaster in More Ways Than One
It’s Impossible to Resist the Show-Tune-Loving Teenage Caveman in ‘William’
Rooney Mara Is Lost at Sea in Garth Davis’ Dull-as-Dirt ‘Mary Magdalene’
Broadway’s Latest ‘Oklahoma!’ Revival Is a Gimmicky Travesty with Corn Bread
