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Rex Reed Reviews

‘Passages’ Review: Three Sensational Performances in This 4-Star Film

This superior film of sensitivity and intelligence has a lot to say about infidelity, love, sex, sexuality and monogamy. Seek it out and learn something.
By Rex Reed

‘Prisoner’s Daughter’ Review: A Visceral Brian Cox Performance Can’t Save This Melodrama

This soap opera of a movie sees a terminally ill Brian Cox living under house arrest with his estranged daughter, played by Kate Beckinsale. It's a heavy slog, but Cox's focused artistry makes it watchable.
By Rex Reed

‘Unidentified Objects’: A Perversely Appealing Road Trip

'This one is certainly different. That doesn't mean it's good. It's just different.'
By Rex Reed

‘The Mother’ Is a Generic Bloodbath Glaringly Devoid of Originality

By Rex Reed

‘Mercy’: Another Piece of Junk in the Current Parade of Forgettable Movies

By Rex Reed

‘Book Club: The Next Chapter’: This Jane Fonda Film Is a Cinematic Joy

By Rex Reed

’65’ Review: A Waste Of Time, And Adam Driver

By Rex Reed

‘Emily’ Review: The Story of Emily Brontë Makes For Paralyzing Tedium On The Screen

By Rex Reed

‘Marlowe’ Review: Liam Neeson Is The Dullest Denizen Of A Noir Lacking Energy and Wit

By Rex Reed

‘Sharper’ Review: One Of The Classiest Thrillers In Ages

By Rex Reed

Review: A Nuanced Jennifer Lawrence Performance Can’t Save ‘Causeway’

By Rex Reed

‘Beast’ Is a Waste of Time and Idris Elba

By Rex Reed

In a Thriller About the Dark Side of Capitalism, Aubrey Plaza Shines as ‘Emily the Criminal’

By Rex Reed

‘Bullet Train’ Might Be the Worst Movie Ever Made

By Rex Reed

Documentary-Style Thrillers Don’t Get Much Better Than ‘Thirteen Lives’

By Rex Reed

‘#MeToo’ Horror Thriller ‘She Will’ Has Its Unconventional Moments

By Rex Reed

‘The Forgiven’ Is a Powerful Journey Not Everyone Will Want to Take

By Rex Reed

‘Top Gun: Maverick’ Is Skillful, Old-Fashioned Filmmaking That Goes With Popcorn Like Butter

By Rex Reed

‘Happening’ Should Be Screened for the Supreme Court

By Rex Reed

Maybe Crime Does Pay. ‘The Duke’ is Charming, Understated and Completely Enjoyable

By Rex Reed

‘Funny Girl’: Move Over, Barbra. Welcome, Beanie. A New Star Is Born.

By Rex Reed

‘Ambulance’ Is Unoriginal and Boring but It’s Probably Not Jake Gyllenhaal’s Fault

By Rex Reed

‘The Lost City’ is Witless, Boring and Stupid

By Rex Reed

In ‘Gold’ Zac Efron is Running Out of Hope and Bottled Water

By Rex Reed
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