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Newsletters

Roberts Projects

A towering white camel sculpture dominates a booth with patterned blue walls, while a visitor walks past holding a brochure in the exhibition space.

Early Sales at Frieze L.A. Signal Renewed Collector Confidence

The major galleries reported strong early sales, underscoring the continued appetite for big-ticket names despite middle-market contraction.
By Jordan Riefe
A man in a gray shirt and black pants sits in front of earth-tone abstract paintings

Painter Luke Agada Is Pushing the Boundaries of Representation

"By refusing the structuralist comfort of definitive meaning, I hope to leave space for the audience to confront their own assumptions about identity, migration and shared space."
By Christa Terry

Suchitra Mattai Envisions a Future of Brown Reclamation

The Indo-Caribbean artist inserts women’s handiwork into traditional landscapes, creating a combination that thoughtfully contends with a colonial past.
By Ayesha Le Breton

Most Recent Posts on Observer

An abstract painting in reds, oranges, yellows and blacks that resembles an early cave painting but stylized

“Abstract Expressionists: The Women” Adds an Essential Chapter to the Movement’s History

By Mary Gregory
Ted Sarandos in a black tuxedo.

Netflix Leaves WBD Fight With $2.8B and a New Identity Question

By Brandon Katz
Auctioneer conducting bidding during Sotheby’s Modern & Contemporary Evening Sale in London, with works by Lucian Freud and Francis Bacon from the Joe Lewis collection displayed behind the podium.

Sotheby’s Opens the London Spring Marquee Sales With a £131M White-Glove Night

By Elisa Carollo
Paul Singer in a black suit and a red tie

Paul Singer’s Toyota Campaign Tests the Limits of Japan’s Corporate Tradition

By Ivan Castano
An arm holding the scales of justice

Can Copyright Survive the Age of A.I.?

By Linda Bloss-Baum
A black-and-white photo of Brenda Frazier sitting in a balldown at her debutante.

Brenda Frazier, Debutante of the Century: The Dark Side of America’s Most Famous Socialite

By Jennifer Ashley Wright
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