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SCAD Museum of Art

Thin vertical sculptures resembling skyscrapers displayed outdoors on a lawn on a sunny day

One Fine Show: Rana Begum’s “Reflection” at the Gallery at Windsor in Florida

Begum's post-minimalism trades the cold certainty of those earlier practitioners for a more delicate and provisional version that is more representative of our time.
By Dan Duray
A closer view of the expansive horizontal textile piece shifting from white through blues and greens into deep purples and black.

At Sean Kelly, Anthony Akinbola’s Bold Exploration of Medium and Metaphor

"With this show, I wanted to explore how camouflage functions both politically and naturally," the artist told Observer ahead of the opening of his new exhibition.
By Elisa Carollo
An image of a white gallery wall displaying five black-and-white portrait photographs of individuals in formal or traditional attire, accompanied by a life-size sculpture of a robed figure with a dark face and folded hands in prayer.

Zanele Muholi Shows that Insistence Is the Best Resistance in Savannah

At the SCAD Museum of Art, the artist reframes portraiture as both protest and protection, where everyday objects carry revolutionary weight.
By Leia Genis
Image of a yellow screen with desert and some black rounded sculptures on the floor.

George Clinton, Love Letters and Good Hair: What’s On at SCAD Museum of Art

By Elisa Carollo
Image of a man in suit in front of garments.

The Toledos’ New York Story: A Unique Tale of Creativity and Love at SCAD Museum of Art

By Elisa Carollo
A man in a blue sweater and jeans stands posing with his hands in his pockets

Erwin Wurm On Absurdity, Bodies and Flattening Sculpture

By Christa Terry
An exhibition of colorful collage-like paintings of larger than life people in collegiate scenes

Don’t Miss: Nina Chanel Abney, Tyler Mitchell and More at SCAD Museum of Art

By Christa Terry
A woman wearing a headscarf sits on a swing in a dark space

Danielle Brathwaite-Shirley On Video Games, Empathy and the Role of Discomfort in Art

By Christa Terry
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