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School of American Ballet

Workout Without Leaving Home, Thanks to Live Videos From ClassPass

Starting tomorrow, ClassPass is live streaming custom 30 minute HIIT morning workouts.
By Margaret Abrams
Lauren King, center, in Dance Odyssey.

New York City Ballet Today…But Tomorrow?

New York City Ballet's artistic director Peter Martins resigned under allegations of misconduct. The company managed a successful winter season, but its future is unclear.
By Robert Gottlieb
School of American Ballet 2017 Workshop performance of Scotch Symphony, with Mira Nadon with Davide Riccardo (in black) and Gilbert Bolden (in kilt).

The Next Generation of City Ballet Stars Are on the Way

The annual School of American Ballet Workshop performance features who’s heading for City Ballet, how strong the current teaching has been, and—if we’re lucky—catch a glimpse of a potentially major dancer: a star.
By Robert Gottlieb
Rebecca Krohn and Zachary Catazaro in Tschaikovsky Suite No. 3 Choreography George Balanchine © The George Balanchine Trust New York City Ballet Credit Photo: Paul Kolnik studio@paulkolnik.com nyc 212-362-7778

State of the Ballet: Balanchine Then and Now, Jerome Robbins’ ‘Glass Pieces’

By Robert Gottlieb
The School of American Ballet

New York Buyers Club: From the Ballet to the Philharmonic, New York’s Most Loaded Ponder Glitz and Revelry Amid Crises

By Benjamin-Emile Le Hay

To Do Monday: School of American Ballet Winter Ball

By Rachel Kramer Bussel
Julia Koch.

To Do Monday: SAB Story

By Peter Davis
Diana DiMenna at the School of American Ballet's Winter Ball

Dance, Dance, Pre-Revolution: The School of American Ballet’s Winter Ball

By Elise Knutsen

Events Roundup: Monday, March 9, 2009

By Em Whitney

Making Plans With Melissa Berkelhammer

By Edmund Glover

City Ballet, Balanchine And a Legacy Imperiled

By Robert Gottlieb

From England, With Love: A Royal, All-Ashton Program

By Robert Gottlieb

There’s No Pulling Strings for Polichenelles

By Ralph Gardner Jr.

A Tragic Person, a Scoundrel and a Genius

By Rick Whitaker
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