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SITE SANTA FE International

An ink and watercolor painting depicts two stylized black bighorn sheep standing beneath a geometric rainbow and a sun motif, with bright Southwestern colors and sharp outlines.

Speaking Soil and Glowing Skies: What Not to Miss at SITE SANTA FE International

Many works on view encourage visitors to attend to the uncertain relationships they might have with unknown other bodies.
By Brian Karl
View of textile works hanging from the celing with human figures on them.

With Trump’s Tariffs, the Canadian Art Market Looks for Opportunities Elsewhere

Canada’s robust network of active institutions and enthusiastic collectors paired with stronger relationships with Mexico and Europe could make engaging with the U.S. art market optional.
By Elisa Carollo
Portrait of a man with glasses.

Pedro Reyes Believes in the Practical Duty and Emotional Impact of Public Art

"Generations have passed without leaving a mark. It’s time to change that and create something that can resonate with both the present and the future."
By Elisa Carollo
Exterior of a building covered by a colorful wall painting

Observer’s Guide to the Must-Visit Biennials and Triennials of 2025

By Elisa Carollo
Portrait of a woman with short hair and yellow jacket.

Cecilia Alemani Reveals Her Curatorial Direction for the 2025 SITE SANTA FE International

By Elisa Carollo
Man in blue suit poses in front of wall with line drawing

Art World Comings and Goings: Bonhams’ Bruno Vinciguerra Steps Down and More

By Alexandra Tremayne-Pengelly
Site Santa Fe.

SITE Santa Fe Unveils Its Newly Expanded Starchitect-Designed Space

By Margaret Carrigan
John Melick founder of Blue Medium. (Photo: Courtesy Matteo Prandoni of Billy Farrell Agency)

The Art World’s Aussie Operator on the Changing Role of PR in Art

By Ryan Steadman
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