Not Even Michelle Pfeiffer Can Save ‘French Exit’ From Its Incompetence
Nothing about 'French Exit' makes any sense, Rex Reed writes in his one-star review.
sony pictures classics
Anthony Hopkins Channels the Anguish of Dementia in ‘The Father’
Running a gamut of emotions, he is egotistical, senile, lovable and infuriating at the same time, but the star never overplays it, Rex Reed writes.
‘Pain and Glory’ Is Pedro Almodóvar’s Best and Most Moving Film in Years
It's both a pause for revelation, and a cause for rejoicing.
