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Events Newsletters

The Guardian

Edvard Munch’s ‘The Scream’ Found to Be at Risk of Damage by Human Breath

An impure pigment in Munch's 'The Scream' leaves the painting very susceptible to damage caused by even small fluctuations in humidity... such as people breathing near it.
By Helen Holmes
recyclicng plastic

Recycling Is Colonization: Nothing Matters Anymore

Recycling is mostly all a lie.
By Chris Roberts

Glenn Greenwald on Sucker Journalists—and Why There’s No Silver Bullet Coming for Trump

"The fact that Trump was trying to develop a Trump Tower in Moscow was to me the most unsurprising thing in the world," said Greenwald.
By Davis Richardson
BOHEMIAN RHAPSODY Reviews Rami Malek Oscars 2019

‘Bohemian Rhapsody’: What Critics Are Saying About Rami Malek as Queen’s Freddie Mercury

By Brandon Katz
Fade in on the New York Times building.

New York Times Sues Woman Who Posed as Reporter for Four Years

By John Bonazzo
Fade in on the New York Times building.

NY Times Launches Philanthropy Initiative to Get Outside Funding for Journalism

By John Bonazzo
Game of Thrones Season 8 Budget

Brits Use Heart Monitors to See if Shakespeare Shocks More Than ‘Game of Thrones’

By John Bonazzo
Work it, boys!

The Internet Can’t Get Over These Boys Wearing Skirts During the European Heat Wave

By John Bonazzo
Shiite fighters from the Popular Mobilisation units hold an Islamic State (IS) group upside down in the village of al-Azraqiyah as they advance towards the centre of Saqlawiyah, north west of Fallujah, on June 4, 2016, during an operation to regain territory from the jihadist group. Iraqi pro-government forces, made up of fighters from the army, the police and from the Hashed al-Shaabi, gained new ground from the Islamic State group in a key area west of the jihadist bastion of Fallujah, security sources said.

Social Media Hasn’t Blurred the Line Between Personal and Private Life—It’s Gone

By Brady Dale
The next big thing in medicine?

Drones Carrying Defibrillators Could Save Lives Faster Than Paramedics

By John Bonazzo
This is one of Montana GOP candidate Greg Gianforte's less creepy Twitter photos (he's in the middle).

The GOP Candidate Who Assaulted a Reporter Has a Really Weird, Gross Twitter Account

By John Bonazzo
Botticelli's The Birth of Venus.

Internal Documents Reveal Facebook’s Policy on Sex and Nudity in Art

By Alanna Martinez
Taylor Swift, worker bee?

This New Women-Run Job Site Gives Career Advice From Taylor Swift and ‘Veep’

By John Bonazzo
Scottish feminist writer Claire Heuchan.

J.K. Rowling Is Helping This Black Scottish Feminist Take on Twitter Trolls

By John Bonazzo
What's up with the New York Times TV series?

The New York Times Just Became Much Less Vulnerable to Online Attack

By John Bonazzo
Some of this year's best longform content focused on the tech world.

The Best Longform Journalism of 2016

By John Bonazzo, Sage Lazzaro and Brady Dale
Jennifer Gradecki presents on her research into how intelligence agencies gather and analyze open-source data at Radical Networks in Brooklyn.

This Website Will Scan Your Twitter Feed for Content That Threatens the State

By Brady Dale
Women in Paris hold Charlie Hedbo's front pages as a tribute to the slain journalists.

Charlie Hebdo Shocks With Anti-Islam Editorial

By Jas Chana
Jill Abramson

Former Times Top Editor Jill Abramson Named The Guardian Columnist

By Kara Bloomgarden-Smoke
Even the most desperate writer shouldn't attempt this.

Supplemental Income: Forbes Contributor Hits Up PR Agency for Extra Fee

By John Bonazzo
Jonathan Franzen. (Photo: courtesy of The New Yorker Festival)

Jonathan Franzen Is an Internet Genius

By Kara Bloomgarden-Smoke
Oh, Jonathan Franzen, when will you ever learn? (Photo: Getty Images)

The Internet Hates Jonathan Franzen Again

By John Bonazzo
(Photo: Flickr/Pedro Ribeiro Simões)

Adorable Community of Old Men Chat in The Guardian Crossword Comments Each Morning

By Sage Lazzaro
Police Commissioner Bill Bratton. (Photo: Spencer Platt/Getty Images)

Bratton Says Comments on Hiring Black Cops Taken ‘Out of Context’

By Jillian Jorgensen
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