‘The Public’ Is a Well-Intentioned but Heavy-Handed Parable About the Homeless In the end, Emilio Estevez's 'The Public' fails to inspire much sympathy for the homeless, abandoning its good intentions for the disenfranchised. By Rex Reed
Why Didn’t Any Startups Get Off Their Butts And Pitch This Captive Audience? Tonight is the premiere of the Public’s revival of Sondheim’s In the Woods, which means free tickets were distributed at 1p.m. By Kelly Faircloth
Museum Miles: The Past and Future Of Public Art In New York Amid the heat, the stench, the slow-moving tourists and the quick-moving taxi cabs, there is another obstacle (albeit an often By David Freedlander
This Labor Day, It’s Time for a New Social Contract With Workers By Andrea Gordillo and Althea Erickson
Marian Goodman’s Multiples, Inc. Banners to Resurface at New York’s Independent 20th Century By Elisa Carollo