theater criticism
Review: Robert Icke’s ‘Oresteia’ Skillfully Brings Greek Tragedy to Today’s Crises
Review: Acclaimed Francophone Musical ‘Notre Dame de Paris’ Premieres in New York City
Review: The Explosive Production of ‘White on White’ Teaches Audiences How to Accept Being Uncomfortable
Review: ‘Into the Woods’ Still Casts a Sensational Spell on Broadway
Review: Robert Icke’s Production of ‘Hamlet’ Misguidedly Embraces the Prince’s Incel-Nature
Review: ‘Epiphany’ Is a Clouded Insight With Pops of Clarity That Some Audiences Might Like
Review: Sarah Silverman’s ‘The Bedwetter’ More Than Deserves a Spot on Broadway
Review: ‘A Case for the Existence of God’ Finds What Connects Us All and Holiness in Humanity
Review: Daniel Craig and Ruth Negga’s ‘Macbeth’ Is Chic but Incomprehensible
Review: ‘A Strange Loop’ Gracefully Explores Issues of Queer, Black Identity
Review: Director Lileana Blain-Cruz Brings ‘The Skin of Our Teeth’ to a Modern Audience
Review: ‘How I Learned to Drive’ Is a Must Watch but Not for Faint of Heart
Review: ‘Cyrano de Bergerac’ Stages the Power of Love and Language at BAM
Sweet Sixteen Has a Bitter Edge in New Musical ‘Kimberly Akimbo’
‘Trouble in Mind’ Makes a Triumphant Broadway Debut
‘Diana: The Musical’: Tacky Tribute to a Great Woman
