Taylor Myers’ No. 9 Shows Us How Real We Can Be When Playing Make-Believe The show trains our brains and bodies to sit alongside one another long enough to break down the self-imposed barriers we've built between us. By Payton Selby
‘The Thanksgiving Play’ Lays Bare Liberal Pretensions Badly Alternatingly twee and berserk, Larissa FastHorse's work reaches a nadir when characters, in face paint and incongruous warrior costumes, start kicking around decapitated heads. By Rhoda Feng
Review: ‘Becky Nurse of Salem’ Rides a Witch Revival Wave Sarah Ruhl's new play draws parallels between the infamous 17th century witch trials and our own times. By Rhoda Feng