Theater
Ryan Murphy, Pick Up the Phone: What Went Down With Broadway’s ‘Funny Girl’ Revival
Review: ‘Epiphany’ Is a Clouded Insight With Pops of Clarity That Some Audiences Might Like
All the Best Looks from the 2022 Tony Awards Red Carpet
Review: ‘A Case for the Existence of God’ Finds What Connects Us All and Holiness in Humanity
Autistic Actor and Author Mickey Rowe Fights Ableism On and Off Stage
Review: Director Lileana Blain-Cruz Brings ‘The Skin of Our Teeth’ to a Modern Audience
Review: Martin McDonagh’s Satirical ‘Hangmen’: Thin Thread, Bottom-Heavy
Review: ‘The Minutes’ Is a Haunting Examination of Who We Really Are and Have Always Been
Review: ‘Cyrano de Bergerac’ Stages the Power of Love and Language at BAM
Review: So Little Has Changed in Baseball That It Is Unquestionably the Right Time for ‘Take Me Out’
Review: Is It Worth Checking into ‘Plaza Suite’ on Broadway?
Spring Preview: Eight Must See Theater Shows in New York City
‘The Chinese Lady’ Grapples With Chinese-American History
Choreographer Ellenore Scott Is Changing Broadway Two Shows at a Time
Losing in Translation: Iranian Students Struggle with Feelings in ‘English’
‘The Music Man’: Hugh Jackman Dazzles in the Perfect Role
Brandon J. Dirden Brings the Family Business to Broadway’s ‘Skeleton Crew’
Matt Doyle and the Gender Flipped Tongue Twister That’s Lighting Up Broadway
Letters From Sondheim and the Offstage Magic of Mail From an Idol
