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Theater

Three ballet dancers pose against blue background

Broadway Powerhouse Shubert Foundation Gives Out Nearly $40m in Grants

The New York-based foundation is the nation's largest funder of dance and theater nonprofits.
By Alexandra Tremayne-Pengelly

‘Theater Camp’ Review: A Delightful And Hilarious Mockumentary

Think 'Spinal Tap,' but replace the metalheads with theater kids, then dial up the drama.
By Oliver Jones

For Christine Pedi, the Show Goes On, With New Challenges

Emerging from the pandemic, Christine Pedi discovered her vision had dimmed. But it hasn't stopped her from taking the stage Off Broadway in 'The Rewards of Being Frank.'
By Harry Haun

Review: Adult Fairytale ‘The Trees’ Gets to the Root of Modern Angst 

By David Cote

Review: Anton Chekhov Gets An R Rating With ‘The Seagull/Woodstock, NY’

By David Cote

Spring Theater Preview: A Dozen Great Shows Bloom On Broadway (And Off)

By David Cote

Samuel D. Hunter, Author of ‘The Whale,’ On His Artistic Turning Point

By Harry Haun

Review: Send West Village Café Musical ‘Cornelia Street’ Back To The Kitchen

By David Cote

Re-Bringing Up ‘Baby’: The Second Life (And New Cast Recording) Of A Broadway Musical

By Harry Haun

Eduardo Machado’s ‘Not About Me’ Is A Memory Journey Through Parallel Plagues

By Harry Haun

Paul Bettany On Transforming Into Andy Warhol In ‘The Collaboration’

By Harry Haun

Review: ‘Becky Nurse of Salem’ Rides a Witch Revival Wave

By Rhoda Feng

Review: Sondheim’s Brilliant Flop ‘Merrily We Roll Along’ Is Smartly Revived

By David Cote

Review: ‘Some Like It Hot’ Is The Joyous Broadway Musical People Have Been Praying For

By Rex Reed

‘Ohio State Murders’: 75 Minutes of Waiting for Something To Happen

By Rex Reed

Dominic Fumusa Takes the Stage In a Play That Scares Him With ‘Jasper’

By Harry Haun

Review: Robert Icke’s ‘Oresteia’ Skillfully Brings Greek Tragedy to Today’s Crises

By David Cote

Alison Fraser Is a Different Kind of Big Mama In An Innovative ‘Cat On a Hot Tin Roof’

By Harry Haun

Ryan Murphy, Pick Up the Phone: What Went Down With Broadway’s ‘Funny Girl’ Revival

By Erin Taylor

Review: ‘Epiphany’ Is a Clouded Insight With Pops of Clarity That Some Audiences Might Like

By David Cote

In ‘The Orchard’ Jessica Hecht Shares the Stage With Mikhail Baryshnikov And a Robot

By Harry Haun

All the Best Looks from the 2022 Tony Awards Red Carpet

By Morgan Halberg

Review: Sarah Silverman’s ‘The Bedwetter’ More Than Deserves a Spot on Broadway

By David Cote

Review: ‘A Case for the Existence of God’ Finds What Connects Us All and Holiness in Humanity

By David Cote
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