Universal Pictures
Universal to Develop and Produce Exclusive Original Films for Peacock
‘F9’ May Be Absurd, But That’s Also What Makes It Life-Affirming
‘Nobody’ Is Bob Odenkirk’s High Body Count, Low Impact Revenge Thriller
‘News of the World’ Is a Worthy Throwback to the Westerns of Yore
‘The King of Staten Island’ Is Pete Davidson’s Touching, Flawed Confessional
Judd Apatow: Pete Davidson Isn’t the King of Staten Island You Think He Is
‘The King of Staten Island’ Says It All—To Its Own Detriment
Get Ready for a New ‘Green Hornet and Kato’ Movie
‘Trolls World Tour’ Made $50M in VOD, But Don’t Call It a Trend
NBCUniversal Finally Spilled All the Details on Peacock
‘1917’ Is the Best War Movie Since ‘Saving Private Ryan’
Q&A: ‘Cats’ Director Tom Hooper Really Loves Himself Some ‘Cats’
‘Black Christmas’ Is a Crummy Excuse for a Horror Film
DreamWorks Head of Character Animation on Life Under Comcast and Future Movies to Come
NBCUniversal Unveils Initial Content Lineup for Its ‘Peacock’ Streamer
TIFF 2019: Three Movie Deals To Take Note Of (So Far)
In an Age of Bankable Horror Films, John Carpenter Doesn’t See ‘Halloween’ Ending
Dwayne Johnson Is Hollywood’s Highest Paid Actor (Yet Again)
Will ‘Hobbs & Shaw’ Ignite the Summer Box Office?
