Observer
  • Business
  • Art
  • Lifestyle
  • Culture
Newsletters
  • Business
    • Finance
    • Media
    • Technology
    • Policy
    • Wealth
    • Insights
    • Interviews
  • Arts
    • Art Fairs
    • Art Market
    • Art Reviews
    • Auctions
    • Galleries
    • Museums
    • Interviews
  • Culture
    • Theater
    • Opera
    • Dance
    • Film
    • Interviews
  • Lifestyle
    • Nightlife & Dining
    • Style
    • Travel
    • Gift Guides
    • Interviews
  • Power Index
    • Nightlife & Dining
    • Business of Art
    • A.I.
    • PR
  • About
    • About Observer
    • Advertise With Us
    • Reprints
Newsletters

Verrazano-Narrows Bridge

Elmo asks Times Square tourists for money.

Afternoon Bulletin: Corralling Costumed Characters, Verrazano Typo

Incidents of Elmo harassment and a violent Spiderman spark a project to color-code Times Square
By Nicole Rubin
Gay Talese at his New York home (Photo credit: Julius Constantine Motal/New York Observer)

With ‘The Bridge,’ Gay Talese Recalls the Art of Nonfiction

The Verrazano-Narrows is worthy of this second look. Before the bridge, Staten Island was virtually cut off from the veins of the city; in the last fifty years, the borough has grown from its rural base to a population of almost 475,000. But The Bridge demands attention today for more than this context: The work represents a high moment in American literary nonfiction, a time when, according to Mr. Talese, “minor characters could take center stage.”
By Elaina Plott

Park Slope Guard Dog Owner Said to Have Jumped Off Verrazano-Narrows Bridge

During the depths of the Great Recession, Angelo Biondo, owner of K-9 Powerhouse Kennel in Park Slope, was doing great
By Stephen Jacob Smith

Most Recent Posts on Observer

Man in black shirt writes equations on board

A.I. Pioneer Yoshua Bengio Becomes 1st Living Scientist With 1M Google Scholar Citations

By Alexandra Tremayne-Pengelly
A group of men and boys gather in and around a narrow water channel on a sunny day, bathing and swimming in the West Bank, as shown in Adam Rouhana’s Ein Aouja.

“Thirst” at The Wellcome Collection Dives Deep into the Politics of Water

By Henry Roberts
Woman with dark bob and black blazer

Fei-Fei Li’s Spatial A.I. Startup World Labs Unveils Its First Product

By Alexandra Tremayne-Pengelly
An exhibition booth at Art X Lagos 2025 shows a series of framed, colorful portraits evenly spaced along white walls with two white chairs and a small table in the center of the room.

Ten Years On, Art X Lagos Has Become the Heartbeat of Nigeria’s Creative Ecosystem

By Gameli Hamelo
A portrait of two people standing side by side in dark suits before a wall of colorful paintings depicting Filipino nurses, part of their collaborative exhibition at the Queens Museum.

Abang-Guard Talk Labor, Legacy and “Makibaka” at the Queens Museum

By Dan Duray
A man in a white T-shirt seated on a couch holding a framed painting of a stylized tree with red circular fruits against a muted landscape.

Meet the Collector: Raphaël Isvy Wants to Rewrite the Rules of Buying and Selling Art

By Elisa Carollo
  • ARTS
    • Art Fairs
    • Art Market
    • Art Reviews
    • Auctions
    • Galleries
    • Museums
  • BUSINESS
    • Energy
    • Finance
    • Media
    • Policy
    • Technology
    • Climate
  • CULTURE
    • Books
    • Dance
    • Film
    • Opera
    • Theater
  • LIFESTYLE
    • Autos
    • Hotels
    • Nightlife & Dining
    • Restaurants
    • Style
    • Travel
  • WEALTH
    • Billionaires
    • Parties
    • Philanthropy
    • Real Estate
  • EXPERT INSIGHTS
    • A.I. Experts
    • Art Market Experts
    • Climate Experts
    • Finance Experts
  • POWER LISTS
    • PR Power List
    • Nightlife & Dining
    • Business of Art
    • A.I. Power List
  • INTERVIEWS
    • Art World
    • Business Leaders
    • Tastemakers
    • Entertainers
  • ABOUT
  • ADVERTISE
  • CONTACT
  • NEWSLETTERS
  • RSS FEEDS
  • SITEMAP
  • TERMS
  • PRIVACY
  • REPRINTS
  • Privacy
  • Terms
  • Cookie Settings
  • Do not sell my data
Powered by WordPress VIP

We noticed you're using an ad blocker.

We get it: you like to have control of your own internet experience.
But advertising revenue helps support our journalism.

To read our full stories, please turn off your ad blocker.
We'd really appreciate it.

How Do I Whitelist Observer?

How Do I Whitelist Observer?

Below are steps you can take in order to whitelist Observer.com on your browser:

For Adblock:

Click the AdBlock button on your browser and select Don't run on pages on this domain.

For Adblock Plus on Google Chrome:

Click the AdBlock Plus button on your browser and select Enabled on this site.

For Adblock Plus on Firefox:

Click the AdBlock Plus button on your browser and select Disable on Observer.com.

Then Reload the Page