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Newsletters

Video Art

A visitor sits in a darkened gallery facing five illuminated video screens in John Akomfrah’s The Hour of the Dog at the Menil Collection in Houston.

One Fine Show: “John Akomfrah, The Hour Of The Dog” at the Menil Collection

The work plays with authenticity to the point where one cannot tell what is old and new and, ultimately, stops caring.
By Dan Duray
A still from a video of a woman's face in close up with a very dark background behind her

One Fine Show: “Arthur Jafa, The White Album” at the Hammer Museum

Jafa's videos are a dense meal, and well worth their own exhibitions.
By Dan Duray
A composite image shows a reclining figure overlaid with a winding road or river, set against a clear blue background.

Doug Aitken’s ‘Lightscape’ Turns the American Dream Into a Requiem

Arguably a contemporary opera, the work follows multiple characters in a Robert Altman-esque structure, taking viewers on a journey of extreme change.
By Elisa Carollo
A woman in a white shirt stands beside a large outdoor video screen on the High Line, with blurred traffic and city lights visible through the railing.

Xin Liu Imagines the Lonely Afterlife of a Decommissioned Satellite

By Elisa Carollo
A portrait photograph shows Manuel Mathieu standing in front of a large abstract painting with purple, orange and white forms, framed by hanging strips of textured material.

Manuel Mathieu’s Venice Biennale Debut Asks How We Carry the Past

By Elise Morton

LAS Art Foundation Pushes Quantum Art Forward in a New Venice Commission

By Elisa Carollo
A close-up shows a woman with smeared red lipstick holding a large patterned snake wrapped tightly around her neck and shoulders, her expression tense and intimate.

Marina Abramovic Brings Psychodrama to Copenhagen’s Cisternerne

By Sarah Moroz
Two monumental video projections stand freestanding in a grand interior, showing nude figures moving through rocky landscapes, reflected on a polished wooden floor.

Meet the Collector: Julia Stoschek On the Challenges and Rewards of Collecting Durational Art

By Elisa Carollo
New York Observer: An image shows two drag performers in elaborate orange costumes and tall headdresses posing underwater among colorful coral and fish, referencing the exhibition’s playful reinterpretation of Darwin and queer marine life.

Don’t Miss: “Darwin in Paradise Camp” at the Whitworth in Manchester

By Henry Roberts
A person in elaborate costume and face covering made of beads stares directly at the camera, evoking the serpent-like, mythological figure from Emilija Škarnulytė’s work Riparia.

Emilija Škarnulytė’s Future Archeology Dazzles at Tate St Ives

By Farah Abdessamad
A gallery with multiple large-scale projections showing animated scenes from Lawrence Lek’s NOX series. In the center sits a modular concrete-like pavilion of tiled benches and vertical supports, lit from below with warm LEDs that accent the structure.

At the Bass in Miami, Lawrence Lek’s Odyssey for an Era Shaped by A.I.

By Elisa Carollo
A picture in picture video still with a full screen image of a blonde woman and a boxed image of a brunette

Don’t Miss: Lynn Hershman Leeson’s ‘Desire Inc.’ and the Seductive Screen

By Sam Moore
A barefoot woman with long brown hair plays a cello in a dimly lit hallway, wearing headphones and sitting on a cushioned chair, surrounded by rugs, lamps and heavy drapery—another scene from The Visitors.

The Promise and Impossibility of Belonging in Ragnar Kjartansson’s Most Beloved Work

By Astra Lincoln
An older man, duplicated in frame, appears to interview himself in a studio filled with charcoal drawings of still life objects including a Moka pot.

William Kentridge Wants to Starve the Algorithm

By Dian Parker
A digitally rendered female figure with pale skin, glasses and shoulder-length hair appears in front of a satellite map showing dredging and airstrip development at Subi Reef in the South China Sea, overlaid with geo-intelligence data.

One Fine Show: Lynn Hershman Leeson’s ‘Of Humans, Cyborgs and AI’ at the Nevada Museum of Art

By Dan Duray
An expansive indoor space contains three enormous illuminated video panels showing the surface of the sun, a nebula-like explosion, and a blue celestial body, with several silhouetted visitors standing in front of each.

Ryoji Ikeda’s “Data-Verse” at the High Is an Ego Killer

By Leia Genis
A close up film still of a woman's face; her eyes are partially closed and she looks to be resting her head on a pillow.

Black Identity Across Continents: An Interview With Artists Nolan Oswald Dennis and Deborah-Joyce Holman

By Gameli Hamelo
Image of screens in the city

Coco Fusco’s New Public Project Brings the History of New York’s Migrants to the Streets

By Elisa Carollo
A man in a hat smirks in front of a colorful geometric background

Biennale Artist Jeffrey Gibson On Spirituality, Ecology in Politics and His Next Chapter

By Dan Duray
A black and white still of hands tied together with twine

‘Richard Serra: A Film and Video Exhibition’ at Dia Chelsea Celebrates His Cinematic Oeuvre

By Daniel Schindel
Electronic billboards in Times Square showing underwater divers.

Martha Atienza’s ‘Our Islands’ Brings the Seas of Philippines to Times Square

By Elisa Carollo
Flash Lights yellow and blue in the darkness

Pierre Huyghe’s Show in Venice Presages Inhuman Perspectives

By Elisa Carollo
A tiger man wearing a hat

Now On View: Ho Tzu Nyen’s Poetic Meditations On Time, Tigers and Colonialism

By Mána Taylor
Portrait of a white man - Bill Viola

Bill Viola, Who Pioneered Video to Explore Human Consciousness, Dead at 73

By Elisa Carollo
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